Friday, December 18, 2009

Circle of Life: An Environmental Fable enters the 2010

Circle of Life: An Environmental Fable enters the 2010 Best Theme Park Attraction tournament as the 16th seed in the Best Movie or Animated Show bracket.
Epcot's Circle of Life
Image courtesy Disney

Playing in Epcot's Land pavilion at Walt Disney World in Lake Buena Vista, Florida, Circle of Life opened in the Harvest Theater on January 21, 1995, as the Walt Disney Co. looked to capitalize on the recent overwhelming success of its animated movie musical, The Lion King. The film replaced Symbiosis, a film about human damage to the environment that provided some footage that was recycled in Circle of Life.

Recycling - how environmentally friendly! ;-)

Circle of Life follows The Lion King's Timon and Pumbaa, as the two dam local rivers to create a lake for their planned Hakuna Matata Lakeside Village. Simba points out that their actions are robbing other animals downstream of the water they need to survive. Then he really rubs it in by telling Timon and Pumbaa that they're acting like a bunch of human beings.

Timon and Pumbaa learn the lesson and remove the dam, restoring the environment for all the downstream animals. And the audience learns a lesson.

You know who also learned a lesson from Circle of Life? The writers of "Madagascar: Escape 2 Africa," who used the same device (a dam in Africa threatening downstream life) as a major plot point in that Dreamworks animated film.

As a 16-seed, Circle of Life faces the toughest road to the title in this bracket. We will find out how this film performs when voting begins in March.

Thursday, December 3, 2009

Don't Miss: Polar Bear Club at Gaylor Palms ICE attraction


WHAT: A truly chilling thought: Running through the ICE! attraction at Gaylord Palms resort in a swimsuit. Warming to that idea earns membership into the Orlando Polar Bear Club. Remember, it's a bitter 9 degrees in there, so folks won't be dillydallying. Club members will be allowed to come back later that morning to enjoy the ice sculptures while fully clothed. There's also an "after-glow" reception and a commemorative certificate in the offing.

WHAT ELSE: There's lots of fine print and rules (Do wear shoes, don't wear a thong, etc.), so check out the Gaylord Palms Web site or the Orlando Polar Bears Facebook page.

WHEN: 8:30 a.m., Saturday (Participants should arrive between 7:45 a.m. and 8:20 a.m.)

WHERE: 6000 W. Osceola Parkway, Kissimmee.

COST: $21.99. ($7 goes to Special Olympics Florida.)

CALL: 407-586-4423.

Dance movie review - "Swing Kids"

Produced in 1993, "Swing Kids" is set in pre-World War II Germany and stars Christian Bale and Kenneth Branagh. During the years just before the war started, American Swing music and the people who listened and danced to it, were forced to go underground with their love for Swing dancing. Swing clubs were situated in unlikely spots, and when Nazis would come near the establishment, all the musicians and dancers would quickly switch to traditional German dances such as the Polka.

The movie features one particular group of young men who love Swing dancing, and their inevitable confrontation with the Nazi movement. One of the young men is captured during a botched robbery attempt for a radio and is sent to the Nazi training camp. His friend joins shortly afterwards so that he is not alone in training. The fight to remain friends for this entire group of men proves challenging as they are one-by-one acclimated to Nazi thought processes. Additionally, the struggle to continue to enjoy American Swing music and Swing dancing, while also being constantly brainwashed by the Nazi training system, leaves the audience wondering if Swing dancing is able to transcend military propaganda that is directly against American ways.

This movie has some of the best Lindy-hop Swing scenes ever made and the soundtrack is equally full of really great Swing music. For those who love Swing dancing, "Swing Kids" would make a great gift idea.

Saturday, November 14, 2009

Sora Sushi Bar and Lounge Review

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Sora Sushi Bar and Lounge Review

Sora

On my recent trip to Disney World I was invited for a complimentary dine-around at Gaylord Palms Resort, which is a massive complex just outside of the “gates to the World.”

I’ll say in advance that I’m not usually one to leave Disney property all that much when I’m on a Disney trip. There are just too many things (including restaurants!) that keep my attention Disney-focused to spend precious vacation time elsewhere in Orlando. But visiting the Gaylord Palms was pretty eye-opening regarding what else is out there! Clearly, the chefs at Gaylord have been able to carve out a distinctive dining niche for the resort that includes interesting themed surroundings coupled with Really. Good. Food. While there, I visited four different restaurants; today’s review is of Sora, Gaylord Palms’ sushi bar and lounge. I hope you enjoy this first trip outside the gates!

Sora Entrance at Gaylord Palms Resort

Sora Entrance at Gaylord Palms Resort

The Atmosphere
Now, when I heard Sushi Bar and Lounge, I immediately thought, “Hmm…not really my speed;” even when I lived in New York City I wasn’t a “Bar and Lounge” person. But I can honestly say that this place is not at all intimidating. The restaurant has a relatively open floor plan, lined with comfy booths and offering views into the resort’s atrium and lobby (appropriate, as “Sora” means “blue sky” in Japanese). Walking into Sora doesn’t give the feel of a big city nightspot with blaring music and lights so dim you can’t see where you’re walking — it feels like a hip, but accessible place to pick up some appetizers, light dinner, and cocktails.

Sora Seating Areas

Sora Seating Areas

Sora Inside

Sora Inside

The Eats
While Sora is known for its innovative sushi menu, I was glad to discover that both the adventurous and the picky will find things to try here. And it’s a fun selection. If you take a look at the menu, you’ll see what I mean. You can even order a drink based on how you want to feel — Balance, Nirvana, Opulent, Divine, Distinct… .

Sora Menu

Sora Menu

We started with “Zen,” a delicious drink made with Zen green tea liqueur, Peach Schnapps, and Sauvignon Blanc. The presentation was stunning and the flavor was like nothing I’d ever tasted. I really enjoyed it and wished I could see how all of the drinks looked and tasted (maybe next time!).

Sora's Zen Cocktail

Sora's Zen Cocktail

If you move on in the menu, you’ll see a thorough sushi and sashimi menu that includes BBQ eel and octopus along with standards like tuna and salmon. You can also choose from soups, salads, starters, or dinners, such as sea bass and duck. Try the “omakase” — the chefs will prepare something just for you based on the catches of the day and what’s fresh from the farmer’s market!

BBQ Pork Bao Bun Sandwiches

BBQ Pork Bao Bun Sandwiches

We sampled the Bao Bun Sandwiches, which offered a choice of barbeque pulled pork, vegetable and tofu stir fry, or miso glazed fresh fish of the day, served with Asian slaw, sriracha mayonnaise, and lemon chili sauce. We were served the pork sandwiches, which were “Do-It-Yourself” — fun to put together and sample with the different sauces.

Sora's Bao Bun Sandwiches

Sora's Bao Bun Sandwiches

Another interesting twist Sora has introduced is offering “tapas”-style dishes like Lobster Fritters or Spicy Tuna Nachos in two sizes — “nosh” and “share.”

Overall
We were impressed with Sora. It’s difficult to make the “bar in a resort” into a destination, but the interesting drink menu and fun-to-eat dishes — along with the easygoing atmosphere — make it a great place to stop for pre-dinner cocktails or even a light dinner. If you’re a sushi-lover or a cocktail connoisseur, definitely give it a go.

Sora is open daily, serving food from 5:00 p.m. until 11:00 p.m. The bar is open daily from 4:00 p.m. until midnight.

Oprah Winfrey: Karaoke contest brings Orlando man $50,000


Robertweddle Orlando's Robert Weddle had a fine run in Oprah Winfrey's Karaoke Challenge.

The rock singer finished third in the karaoke contest and collected $50,000. On her show today, Winfrey announced the results after 2.5 million viewers voted.

"I went into it like I felt I had already won," said Weddle, 31. "For me the money is fantastic. Now I can close this chapter. I'm hoping for alternatives. I'm hoping to continue this and that this is just the beginning."

The money is nice, but a job would be nicer for Weddle, who has been unemployed eight months. He was a customer-service rep at a medical-publication company.

"I want to move forward and do something sustainable," Weddle said. "It's up to me. I need to make something happen."

Soul singer Abraham McDonald of Los Angeles won the contest and collected $250,000. Country singer Donnie Denny of Hertford, N.C., was the runner-up and earned $100,000 for his efforts.

Weddle raves over Winfrey. "She's awesome. Magnanimous is a fitting word for her," he said.


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On The Town: True Blood Stars At Florida Hotel

It might surprise you that vampire blood is like your blood.

They both save lives.

If you're familiar with the hit HBO series, you know that V-juice can improve the health and libido of humans who drink it. Vampires drink synthetic blood so they don’t have to kill humans to survive. So, the actors are in town hoping you will donate blood during their very first True Blood Convention.

It kicked off Friday at the Florida Hotel and Conference Center at the Florida Mall.

Actor Todd Lowe was the first to arrive. He plays "Terry," a shell-shocked veteran. The actors will get fired if they reveal too much about the new season - season 3, but this is what we could get out of him.

“I'm incredibly tight-lipped,” Lowe said. “I can tell you I got the first two scripts just before I came here to Orlando and I poured through them veraciously. They're great and I'm dying to tell someone."

To find out why the actor was a bit late for our interview (it's good knowing he's living it up in Otown), and to see why Melbourne is dear to him, click to Channel 300 - Central Florida on Demand. Click on Entertainment then Celebrity Interviews.

The blood drive happens Nov. 14, 10 a.m. – 6 p.m., and Nov. 15, noon – 6 p.m. Florida's Blood Centers tells us your blood is used within 2-3 days after you donate it!

Everyone who donates gets a black "Tru:Blood" T-Shirt (and ladies, they actually have Size S.)

The convention is $40 general admission per day. There'll be photo opps and panel discussions with the celebrities, even a buffet banquet where you can mingle. The True Blood Convention also includes a big Maquerade Ball Saturday night and special breakfast auctions.

Sam Trammell (Sam Merlotte), Nelsan Ellis (Lafayette), Allan Hyde (godric), and Ashley Jones (Daphne) are expected to be there.

Central Florida on Demand will be here all weekend to find out what these celebrities are really like. It's always interesting to see how they interact with obsessed fans.

Wednesday, November 11, 2009

Lack of extremes Jekyll and Hyde

Lack of extremes
Jekyll & Hyde
Through Nov. 28 at Greater Orlando Actors Theatre
669 Cherry St., Winter Park
407-872-8451
www.goatgroup.com
$18

Dr. Henry Jekyll has been mixing his drinks again – literally. One particular cherry-red concoction – formula HJ7 – could be providing him with quite a kick, shifting his normally placid personality from friendly to fiendish. The resulting identity has a penchant for murderous behavior and particularly nasty romantic proclivities. In fact, his qualities are so different from the good doctor’s that he even has his own moniker – Mr. Edward Hyde.

Robert Louis Stevenson’s 1886 Gothic tale, The Strange Case of Dr. Jekyll and Mr. Hyde, was transposed into a smash Broadway musical, Jekyll & Hyde, in 1997. The show’s book, music and lyrics are by Steve Cuden, Frank Wildhorn and Leslie Bricusse. The Greater Orlando Actors Theatre is currently staging the work under the direction of Paul Castaneda, with Don Hopkinson serving as musical director.

To its credit, GOAT has managed to cram the expansive creation into its less-than- cavernous Cherry Street space with a cast of 30 well-costumed performers who sing acceptably and move comfortably in the small acting area. The leads include John Gracey as Jekyll, Erin Brenna as Lucy, Scherezada Morales-Roman as Emma, Rob DelMedico as Utterson and, in a departure from the standard modus operandi, Stephen Pugh as Hyde.

While the acting and vocalizing are generally up to snuff, GOAT’s production suffers from a lack of the sort of special effects that can convert a middling book and score into a spectacular theatrical experience. For instance, instead of the same actor transforming himself from Dr. Jekyll into Hyde amid an array of optical illusions and flashy stagecraft, Gracey and Pugh must dart on and offstage as nimbly as they can, replacing one another in full audience view. More often than not, the seams show.

In addition, directors Castaneda and Hopkinson have decided to mic their actors, who must then battle a taped score played back at unsuitably high levels. Since the audience is never more than 10 feet away, the overkill is completely unnecessary. Lastly, how to light the tiny space with an audience on three sides totally stymied the tech crew – at least half the show is performed in relative darkness, and impenetrable shadows mar many scenes.

Fans of the musical will enjoy renditions of such popular tunes as “This Is the Moment” and “Someone Like You,” and GOAT is to be commended for tackling this theatrical behemoth. But on the scale of good versus evil, this Jekyll & Hyde falls somewhere between the two.

Comments on this story:


Report this comment On 11/11/2009 2:37:47 AM, Anonymous said:

Let me start off by thanking you, Al for reviewing our production. I'm glad you came and that you seemed to enjoy at least some of what we did. To respond to some of what you wrote (and I hope there is no offense taken as none is intended): 1. The lack of special effects was a directorial choice. We had more in there in our original concept, but the story in the end is a human story about the duality of man. On stage, it should be about the people and the themes, not about disappearing furniture, movie style effects involving the Jekyll/Hyde transformations or magic tricks. 2. The darkness, again, was a directorial choice. To me, Jekyll and Hyde is about goodness/light attempting to break through the evil/darkness that is within each of us. If everything is well lit and beautiful, then to me Jekyll's final act/victory is shallow. 3. I respectfully disagree on the miking of actors and the sound levels of the score. This show is known for its beautiful, full and lush orchestration. To not give that to the audience in order to not mic the actors was a choice I was unwilling to take. I guess all I'm really trying to say is, since "the acting and vocalizing are generally up to snuff", then any blame lies with my choices as director. And that I can live with, because I firmly believe that my musical director, assistant director, choreographer, cast and crew have done an unbelievable job with this show. Thanks, again, for the review. And hope to see you again, soon! Paul Castaneda Artistic Director Greater Orlando Actors Theatre www.goatgroup.com Thanks again for the review!

Report this comment On 11/11/2009 12:45:15 PM, Anonymous said:

Well Said Paul....everyone sees something different...

Report this comment On 11/11/2009 2:15:12 PM, Anonymous said:

I think that there are some technical issues with the space, but I fail to believe that the lack of special lighting fx completely deterred the audience from the story. I also feel that the technical aspects of a show should some how reflect the time period it is written as, and not be made the central focus of the audience. I agree with what is said here of the tracks being loud at times, but I would have liked to have seen more written of the story and the performances.

Report this comment On 11/11/2009 2:21:07 PM, Anonymous said:

This reviewer seems to have walked into the show with a list of preconceived notions of how Jekyll and Hyde should be executed. While opinions are like a**holes (and they all stink), it's too bad that his opinion of this show is limited to that of a "spectacle" filled with flashing bells and whistles. Al, wouldn't the seams surface far greater with cheeseball, hocus-pocus effects? This isn't Wicked, and we're not trying to Defy Gravity here. As Paul stated, it runs much deeper than flash and 'razz-ma-tazz': It is a tale of duality and the struggle of living in a society torn apart, a message all-to-relevant in today's times. Goat Group stripped the play down to its bare bones in an attempt to reveal the true monster within. The result served to astonish not only audiences, but the cast themselves (I, being among them): We're not as separate from what drives our inner demons as we'd like to believe. That is true theatre....no "illusions and flashy stagecraft" attached. My name is Adam McCabe, and I should have been born with a sock in my mouth. Thanks! ^_^

Report this comment On 11/11/2009 2:49:15 PM, Anonymous said:

P.S.....No offense meant in my words! Enjoy GOAT's quality theater (and dashing performers) at affordable prices! *bows out* -Adam

Report this comment On 11/11/2009 2:57:05 PM, Lamar said:

I'd like to see the work, but there's something at odds about miked actors in a stripped down production. It's like a guy who wears prescription eyeglasses AND earrings.

Report this comment On 11/11/2009 3:06:46 PM, Anonymous said:

Well I mean...."stripped down" doesn't exactly mean we're going to light our actors by candlelight either. Certain steps are a necessity. Let's be real here.

Report this comment On 11/11/2009 3:27:51 PM, Lamar said:

I was thinking of The Fantasticks.

Report this comment On 11/11/2009 6:16:35 PM, Anonymous said:

Interesting how whenever GOAT receives a bad review TONS of individuals post against said reviewer. Whether here or against Elizabeth Maupin. Funny how that happens isn't it?

Report this comment On 11/11/2009 6:24:42 PM, Anonymous said:

First, I am blown away that a director would comment on a public forum about a review of his production. That is poor theater etiquette, in my opinion. A director and company of cast and crew must produce and perform the best product they can deliver and let it speak for itself. A play or any other live performance art is to be appreciated and judged by each individual viewer. Whether or not the audience "gets" the particular directorial choices is irrelevant. If the choice doesn't play well, if it doesn't land, then that is a judgement the production must live with and learn from. I have been a member of the Central Florida theater community for 12 years and I would be mortified to be associated with an organization that would behave in the manner that GOAT's director has exhibited here. As to the production itself, I did see the show on Opening night. I had high hopes as it is one of my favorite musicals. I saw the original broadway run with Linda Eder and Sebastian Bach. Needless to say I thought the broadway production was flawless and have been in love with the music and book ever since. At intermission of GOAT's production I was ready to walk out and ask for a refund. $33 dollars for two tickets was an astronomical price for the level of production they offered. While the ensamble numbers we "acceptable" the soloists were generally week with the exception of Hyde and Emma. Lucy continually showed that her part far exceeded her capabilities as she was often off key and off pitch. Overall felt the acting placid, the cast generally looked confused, nervous or like they were trying to remember their lines. There was little genuine interaction and emotion. Again, with an exception of Hyde and one or two admirable performances by ensamble cast members. I also thought that the relationship between Lucy and Hyde was misrepresented in this production. Lucy's character as a whole seemed to miss the mark of the intended arch. First we see her a some victorian english version of a valley girl with a terrible affected accent, then she is a wimpering lamb. Her arch may have been helped without the omision of Good & Evil (a song performed in broadway version) which was apparently stripped from the show in favor of Bring on the Men as a women's ensemble number. The choreography was uncomfortable to sit through at such a close proximity to the cast. Further, the inclusion of the child cast member in the scene was a tasteless choice. Lucy is intended to be a strong and confident character who shows small but increasing moments of frailty only to Jekyll due to his kindness toward her. The actor's portrayal of this role in GOAT's production was weak, whiny and lacking in depth. As for the technical aspects of the show, the faults were numerous. First I will point out the distraction of hearing the stage manager talking through the entire production from the tech booth. I was sitting in the furthest possible seat from the booth and still I could hear her and her crew talking through the entire production. Second, the execution of lighting cues often showed errors and caused distraction. Dead characters were being helped off the set in full light while characters performed ballads in total darkness. Whether the cast couldn't hit their marks or the lighting was poorly focused I do not know. However I do not see the directorial advantage to having your actor's face in darkness while they are lit from the knees down. Their is a proper way to use shadow and light to convey emotion in a scene, this production looked messy, unpolished and hap-hazard in the area of lighting. Set changes were messy and loud. Backstage the cast could be heard dropping things, cursing when they presumably bumped around in the darkness and occasionally were shoved out of stage without their proper props. Additionally the blocking either had me straining to see the focal character over ensamble members in my face or dizzy at seeing the characters pacing needlessly back and forth along the same three-foot path every actor took from the first mid-stage platform, back down to their downstage right mark and back upstage again. The constant need to move the characters was not supported when the stage right audience area still spent most of the show looking at backs. More often then not the cast was directed straight out or to the downstage right corner. There were decent performances and even a few very good numbers that were mired by poor technical planning, poor direction and other partially substandard performances.

Peabody to hold 'topping off' ceremony

The Peabody Hotel Group plans to hold a “topping off” ceremony on the new 35-story, guest tower at the Peabody Orlando on Nov. 11.

The industry tradition, which will celebrate the completion of the concrete shell of the building, also will include a tribute to Veteran’s Day, as a 20-by-38-foot American flag is expected to be flown from the tower’s 30th story, said a news release.

The event also will feature a red carpet march of the Peabody ducks, the release said.

The new 690,000-square-foot, 750-room guest tower will nearly double the Peabody’s previous room capacity. The $450 million expansion also includes a 450,000-square-foot addition to the hotel’s existing convention space, renovation of 57,000 square feet of existing public areas, a 15,000-square-foot upscale spa and a grotto-style pool complex, an English garden, a hiking trail, boutiques and a new restaurant building, along with a 2,200-space parking garage.

The project is slated for a January 2011 completion, with the convention center space being the first to open in July 2010.

Winter Park-based SCA Design Group was the project architect, and Balfour Beatty Construction in Orlando is the general contractor.